Determining Point of View

by Delores Thornton

There are basically four different voices (also called Point of View characters) from which to tell a story.
 
1.  Third Person limited, told in grammatical third person, is told from one POV.

2.  Second Person POV refers to "you" which is usually the reader. Generally found in letters and/or when describing a process, this is seldom used in novel writing.

3.  First Person (which is becoming more popular) uses the active voice of the viewpoint character.


4.  Third Person, the accepted form, where the invisible narrator is assumed by the reader to be omniscient, and sees into the minds of all the characters.

For purposes of this article, we will examine First Person and Third Person POV.

Descriptions of First and Third person POV:

First Person
Subjective
Involved
Identified
Informal

Third person
Objective
Detached
Anonymous
Formal Style

Decide Who Will Tell the Story:

            One of the first decisions you make as you start a story is the point of view from which it will be told. Readers connect to a story by identifying with the viewpoint character that is usually the main character. The author can ensure this by keeping the point of view in a character that has a central role in the story. When the author does this, the reader is always involved in the story, and can feel and see all of the action through the viewpoint character.


            When the viewpoint character is referred to using the following pronouns: he, she, him, his, it, they, them or theirs, that’s third person. Multiple narrators may be employed with this form of narration. Third person is the standard, and most commonly used approach.

When the viewpoint character is referred to using the following pronouns: I, me, my, mine, our, ours or we, that’s First Person. When writing in First Person, you will need to watch for those annoying  "I" references at the beginning of sentences. 

For example: I stopped by the office to pick up the manuscripts.

Revised: On my way home, I remembered that the manuscripts were due in by Monday; so I stopped by the office and picked them up.

            You may also use multiple narrators with first person; alternating chapters based on each character’s viewpoint may accomplish this. In some stories you will find that the writer shifts the point of view from one character to another and sometimes to a third narrator. It is wise, however, for new writers to stick to the more standard method of using a single point of view.

Let’s take a look at Third Person:

            Ida Mae stumbled into the kitchen, careful not to wake Papa or Milan as she climbed the back stairs. If I’m lucky, I can pour a bath and bandage my wounds and be in bed before eleven, she thought. In the oval mirror above the washstand, she surveyed the damage. Blood was still oozing from her nose, as well as, the cut on her lip, and her left cheek had started to swell. The pain she felt between her legs and in her rectum sent her reeling. Down, down she fell, into a sea of darkness.


Now let’s examine the same scene using first person:

            Careful not to awaken Papa or Milan, I quietly climb the back stairs. Glancing at the Baby Ben clock atop my chiffonier, I know that I’ll have time to pour a bath, bandage my wounds, and be in bed by eleven. In the oval mirror above the washstand, I survey the damage. Blood, still oozing from the cuts on my lips and nose, leaves a nasty taste in my mouth. My left cheek, which is extremely sore, is starting to swell. The pain I feel between my legs and in my rectum is becoming unbearable; a sea of darkness seems to envelope me as I lose consciousness.

 

In the First Person POV noted above, the taste of blood and Ida Mae’s interior thoughts [is intended to] draw the reader into the story as he/she connects with the narrator!

 

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